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I’m not sure why I turned to Ernest
Hemingway last Saturday while browsing for books at my favorite bookstore on
the planet. Yes, you guessed it – The
Strand on Broadway at East 11th street in NYC. For some reason I’ve been chomping at the bit
to begin writing fiction after my foray last year with my micro-series entitled
“Hanoi Posting”.
It remains unpublished for the moment but
it certainly has whet my appetite for broadening my erudite horizons, although
I realize I’m not exactly a literary giant in the making but merely a guy who
loves a good story, and now with a little experience (my book, 214 blog posts
and a 28 part micro-series under my belt) I feel like stretching my boundaries.
Finding time to write is the tricky part,
although most experienced writers will tell you that if you write 1000 – 1500
words per day you’re doing well. Currently
that’s about the extent of my weekly writing output so clearly I’m going to
have up the ante just a tad. J
I can hear you all asking “so why
Hemingway?” I read many of his books,
and each time I’m jolted by the rawness of his writing. He certainly had his own style of writing and
still can’t quite decide if I like it or not…but whether I like it or not is
not the objective its exploring how other writers frame their stories and
convey their storyline.
The book I picked up is a collection of
short stories entitled “Men Without Women” which was one of his earlier books,
written during his Paris years and first published in 1928. It was a prolific period for Hemingway and
ultimately established his reputation as a true artisan, although this
particular book is less well known than some of his big works.
So how do you begin a ripping yarn?
Great question! For example in “Hanoi Posting” I used
the names of people I know or had met during my time in Vietnam to be the main
characters. Hanoi by itself is full of
mystery and intrigue, that’s without layering in a love triangle, a little
sexual intrigue and a good dose of revenge for good measure.
An important aspect is to ensure there is
strong character development including the back-story for each of the
characters so that you understand the sensitivities and motivations for the way
they act and react in certain situations.
Finding the right time and space to explore this is also critical, and
particularly tricky within a micro story framework as this format generally
ranges between 200 – 400 words per story.
Another important element is the way the
writer conveys the scene, so that you, as the reader can conjure the image in
your head and this is why may readers complain that after reading the book the
movie of the same story just doesn’t do it for them. The imagery that you create in your head is
far richer that what someone else can create and so really framing out the
scene is a big priority so that the reader can feel and almost see the scene
before them.
Think about your favorite authors and the
way that they’ve built out their stories that you’ve loved, and I’m betting
that they have rich imagery and an interesting cast of characters that you can
connect with as you read.
It truly is an art and the more I delve
into writing the more I’m in awe of a good writer and what they can
convey.
Okay, so I’m going to share with you the first micro-story from “Hanoi Posting”. Let me know if you'd like to read more of this series. J
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“Hanoi Posting”
A
series of micro-stories by Terence Wallis
Story 1: Hanoi Dawn
It was very
early and except for the ubiquitous scooters that still prowled these pre-dawn
streets he was alone. He stood on the step momentarily and as he
surveyed the deserted street but all he could see was the reflection of
streetlights in the gathering dawn and thick air that hung over the city like a
wet blanket.
Within seconds
his shirt had begun to stick to the skin on his back, perspiration beads
forming on his brow and tiny droplets of sweat appearing on the wrists, even at
this hour it was stiflingly hot. The
humidity and pungent smells of Hanoi’s Cát Linh Đống Đa assailed him
as soon as he had stepped from the air-conditioned sanctuary that he now
called home.
The life of a
foreign correspondent wasn't all what it was cracked up to be he thought to
himself as his mind wandered back to that fateful day in John’s office, when he
had begged to be posted to Hanoi. Memories
of that conversation still haunted him, but that was another lifetime ago and
so disconnected with his current reality.
It wasn't that
he was a bad correspondent, no far from it. He'd been a dogged
overachiever in his work with the Sydney Morning Herald and later the Times in
London and had always yearned for a posting like this. However, soon after arriving in Hanoi he
realized that it was far from the exotic location he'd expected or hoped for and
that he’d literally thrust himself into a journalistic backwater with little
hope of salvation.
He closed his
eyes momentarily and sighed deeply to himself, the lack of sleep and overall
exhaustion weighing heavily on him.
God, how could I
have been so naïve he chided himself as he groggily made his way along the
street toward the Old Quarter. He felt the pre-dawn gloom wrap itself
around him like the comfortable companion that it had become over these past
six months.
If only I had
that moment over again, he thought…
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As you know last weekend I was in New York with Zach on our road trip to drop him off at summer school (Georgetown University in Washington DC). I shot around 1000 photos over the course of the 36 hours in the city, here is a small selection for your viewing enjoyment!
two chairs at Bryant park...perfect...love how that one is illuminated
ReplyDeleteThanks - glad you enjoyed my NYC photos! TW
ReplyDeleteI really enjoy reading your blog every week and love the pictures that you take.
ReplyDeleteYour story about Hanoi is an interesting read. Looking forward to more.